Welcome to the final installment of the Presidential Cabinets series.

The last thing to work on was the 2 large refrigerator panels, which I did solo. At this point, I think you have the basic process down–basic shapes, basic values (light & dark), development, details–so just enjoy the evolution without excessive explanation.

And a close-up of the robin.

Here are snapshots of the final panels all around the kitchen.

Plums, Genevieve Bergeson; apples, Marissa Bunting.

Peaches & figs, Marissa.

Persimmons & pears, Genevieve; strawberries (top right), Marissa; lavender & fridge (grapes, roses), Genevieve.

If you have any questions about any part of this endeavor, please leave a comment below. I hope you’ve enjoyed seeing this project progress.

What’s more exciting than another post about the cabinet project? Using my new WiFi router & speedier internet to post the post!

Last time, I wrote about starting to paint the fruit by blocking in the basic shapes. This time, you see more development and details.

After starting my persimmons & plums, I worked on a pair of pear panels. (One of the pear panels portrays a pair of pairs, and the other a pared pear.

I promise that not all my panels began with the letter p–but it came close. One panel has a sprig of lavender, but it used to be a pussy willow. I also painted the 2 fridge panels, which has roses and grapes. It might be argued that they are purple grapes and pink roses, but at least the plants themselves don’t start with p. (But “plant” does — alors!)

The president’s wife specially requested that we paint some “surprises”–little animals and such, which I did. First two little birds among the plum branches.

 

Then I painted three paper kite butterflies on the persimmon panel. As you will see in the next & final post in this series, I incorporated the same species of butterfly and another bird into the refrigerator panels to help unify the kitchen.

 

If you haven’t yet read the first two posts in this series, here are quick links: Part I and Part II.

Once the cabinets had their base coats, it was time to start painting. We used acrylic paints. Very practically, Marissa started on one side of the kitchen and I in the corner so we didn’t bump elbows, water cups, or ladder legs against each other’s. First we sketched designs on the panels, which presented its own challenges due to scale and the presence of the picture planes directly, vertically parallel in front of us rather than on a desk in front of us. But we did it and overcame our hesitation to finally commit the paintbrush and lay down that paint.

Generally we first painted the branches. Second, basic shapes of fruit and leaves. Then we worked on shaping dimensions & values (light & dark) and details.  (It sounds very brief when worded that way, but remember that this project extended over several panels and months.) Persimmons below.

Marissa and I planned the placement of colors based on the lighting. This corner panel received the least amount of light, so we decided a brighter, bolder color (orange) should go in that corner to help lighten it (or, on the other hand, because it wouldn’t be as negatively affected by the dimmer lighting). At first, because we had only painted 2 panels, the hue looked almost too bright (traffic-stopping orange), but that effect decreased as we painted more cabinets with bright colors and I developed the persimmons.

To get an idea of how the paintings progressed, here is a series of pictures of my plum panel. First the branch, then tiny blossoms, then fruit. (Serendipitously, I painted a lot of Ps — persimmons, plums, pears, and a pussy willow spring, but the pussy willow was vetoed, and a sprig of lavender took its place.) There were further changes and additions to this panel, but I will save those for a later time. (Note: I started the plums on a different visit from our first day painting fruit.)

Here’s what the kitchen looked like after our first day painting fruit. (Left, Marissa’s apples. Right, Genevieve’s persimmons.)

The first step to take these cabinets from solid green to simply gorgeous was to paint a base color on the inset panels. Arguably that’s actually the third step–the first being to pull a selection of paint chips from a hardware store and the second to compare them with the background on the vegetable panels already there. I chose a neutral, yellow-toned interior flat paint. (I used a single sample size from Home Depot.) There was no need to sand or prime. I just grabbed a wide brush and started painting.

It took 4 to 5 hours to paint all the cabinet panels. The cabinets in the above photo (click to enlarge) were painted in the same day (Jan. 20). The following week, it was decided that we should also paint the two  little panels above the fridge (above the long horizontal panel on the right). With the exception of one panel, these have only 1 coat of the yellow paint. I did a side-by-side comparison–1 panel with 2 coats & its neighbor with 1 coat–and, really, 2 coats of paint did not contribute anything to the look. In fact, letting a little green show through (1 coat) contributed to the rustic look.

After the yellow base coat dried, I set about to age the paintings. I experimented with this on 1 panel before leaving for the day (Jan. 20, the base coat day), knowing that I wanted to have a plan ready for the following weekend when I returned to age all the panels.

The above effect was achieved with a simple mix of acrylic pigments, mainly burnt umber (with dashes of white, black, and a light beige neutral called “unbleached titanium,”) with varying amounts of water for different transparencies of color. The darkest areas had little to no water & the lightest, smudgiest areas the most. Ultimately I stopped using the white & the unbleached titanium and stuck with the umber. The technique? A mix of dabbling, dry brush, and smearing with a rag. Satisfied with the look, I set out until the next Saturday (Jan. 27). Marissa joined me at that time, and it took us about 4 hours to age the rest of the panels. (That’s 8 hours between the two of us!)

Ta da! The kitchen already looks lighter.

Do you remember that my preview of upcoming topics (posted back in February) mentioned that there would be posts about painting cabinets with a friend? If so, cool. If not, hakuna matata–here come a lotta!  After many months, I am grateful to announce that this joint venture with fellow artist & co-worker Marissa Bunting (also a Principia art major) was completed a week ago today. After sorting through hundreds of pictures (no joke), I’m ready to show you how we went from this—

–to this!

We painted 2 other cabinets not pictured here, but you will see them in future photos. The kitchen is quite large, so it’s tricky to get all the cabinet fronts in one photo. 

Wondering about the title of this post? This kitchen is in the home of the president of the organization where I work, so, you know, presidential cabinets. (Never pass up a good pun!) The building itself was purchased within the year (September 2017, I think–the current residents didn’t move in until the end of December or January). The cabinets were custom-built for the house and most of them were solid green. The president’s wife suggested the project to help lighten the room and also finish a project that was already started. One side of the kitchen already had cabinets painted with various vegetables. For example:

Why not finish the project with colorful fruit & flowers? Why not check back next time to start reading about how we did it? 😉