Ahoy, avast, and all that. It recently occurred to me that it had been a year since I stepped aboard the Draken Harald HaĚŠrfagre, a Viking great ship built in modern times, on September 1, 2018, while it was docked at the Independence Seaport Museum in Philadelphia. This educational visit prompted a 6- to 7-month (painting) voyage on my part, and I realized it had been about as long since I had completed it– without yet sharing it here with you. Lest anyone wonder, it wasn’t a solid 6 months of painting, but rather 6 months or so from start to finish. Sometimes I let her (the painting) sit docked, as it were, for a few weeks while I worked on other things & thought about what to do next. Also, this painting is not of the Draken, but it is decidedly inspired by the ship. I found the deep red sail of the ship particularly striking and thus chose a red color for my painting.
Here is the irrefutably concise–in comparison to a 6-month, day-by-day version–travelogue of this painting’s development. Medium: tempera & acrylic.
1. An acquaintance had given me a sizeable twice-painted-over painting on hardboard (with hanging wire already installed) that she no longer wanted. I sanded and gessoed over the old image. (Photo might be of the second layer of gesso. Gesso is essentially a primer.)
2. Next, thumbnail sketches (drawn in the car during a road trip).
3. Starting to add base colors/underpainting. The painting was too big to do on a table or my easel, so I propped it against a bookshelf.
4. Adding local color & developing water. I like a number of qualities about the water at this stage– there’s a looseness, an energy, the play of light & dark–but somehow as the painting continued, it got tighter, more controlled, and, because the green water seemed a little too tropical for a Viking voyage, darker & bluer. If I ever paint another version, I’d like to try to keep that looseness.
5. Bringing focus to the ship itself, including the sail. Somehow, over the several months, the visual line/direction of the composition changed from something more linear to a kind of whirlpool. The water in the above photograph is constructed in an angular/zig-zag manner up to the ship; over time I embraced the whirlpool or vortex spiraling around it.
6. Completion. I took this photograph outside (because my apartment does not have great lighting), so the colors look a bit different than in the other photos. Somehow it also seems flatter…but it gives a lot of depth to the corner where it hangs in my apartment. Curious contrast.
Ready to cross the North Atlantic?
