Painting Progression: Beach House

Here is another beachy painting for your viewing pleasure. This was commissioned by a couple I know in Florida. 12 x 16″, oil. The lady had a magazine clipping of a painting she liked of a porch of a Floridian house, but the background was a thick palm grove. She thought it would be really neat to have a painting with a similar side view of a house but instead with a path to the beach. Something much brighter and more open, with sky. There were several other little ideas, too. That’s where I came in to play–toss everything together, jumble it around, and make it come out nice.

She named it The Promise. Although you can only see a little bit of the ocean now, the rest is there, waiting to be seen, and it will be glorious.

This time, instead of posting several separate images, I compiled them in one diagram. (Below. Click to enlarge.) I don’t know that making this was faster than editing and posting all the images individually, but it’s compact and won’t take as long to load. Feel free to let me know which you prefer in the comments below (1 image or many) so I can keep it in mind for the next progression.

Painting Progression: Beach

Happy new year!

A year ago December, I posted a series of photographs showing the progress on a sailboat painting. I’ve got another photo progression for an oil painting I did last month. As before, the lighting and angle change a little because I worked & took the photos at different times of day. The actual size is 24″ x 36″. Please enjoy.

Underpainting and laying in sky color

Developing sky and ocean

Sky and ocean colors set; blocking in plant matter

 

Adding shadows on the sand + middle ground palm tree

Developing grasses and palm fronds

Finished work!

First Haiga

Haiga? What’s that?

If you know what haiku is, you’re halfway there! Haiga is the combination of one haiku and an image, traditionally an ink painting, though other media (including photography) are popular and acceptable today. The two elements of haiga are complementary; one needs the other to get the full effect. The image is not illustrative, nor is the haiku a caption. For instance, if a haiku or senryu is about children playing with autumn leaves, a good haiga will not  depict those children playing in a pile of leaves. It might depict leaves, children, an autumn bird, or trees, but not the exact subject of the haiku. However, overlap is not forbidden. A haiku about a crane calling across the marsh may be paired with a painting of a crane, for instance. Again, the two items should be complementary, but not redundant.

I submitted these to a haiga contest in mid-to-late September. Judging was in late October, so I decided to wait to post these after the contest finished. The top haiga is an example of what I called overlapping just now.

haiga_blackberries-150dpi

This was painted in watercolor. Though Japanese ink paintings are primarily grayscale, I love working with color, so I chose a dark blue-violet pigment that could echo the light and dark values of traditional works. I also kept the painting fairly simple—closer to a silhouette than a rendering—to echo the simplicity of the senryu.

haiga_bubbles-150dpi

This one is also a monochromatic watercolor haiga. Although this senryu has nothing to do with blowing bubbles, their union instantly appealed to me and demanded to be expressed. Both dreams and bubbles have beautiful, ephemeral qualities. Moreover, in earlier versions of the senryu, I had specified “summer dreams”; though “summer” no longer appears, I still wished to convey the bliss that I associated with that in this haiga. Both the image of blowing bubbles and the use of a bright blue pigment satisfied that wish. (This one is the first haiga I created.)

If you’d like a refresher on haiku, these two posts from 2014 have short sections about the elements of haiku. In the 2nd one, look for the third header (“Haiku-coo for Cocoa Puffs”): 4th (update) of July and August Advancements.

On another note, last weekend, I attended another artist alley at an anime convention. Watch your inbox for a post!

Welcome, 2016

We ended 2015 posts with a puppy; we’ll begin 2016 with the same puppy! Here’s another portrait of Coda, though admittedly the painting was finished last year. Coda’s a bit younger in this one than in the drawing–maybe 3-4 months old. Besides puppy, I was interesting in painting the floor. This piece is oil on canvas board and about 8″ x 10″. It also features the largest John Hancock I’ve ever affixed to a work of art.

As usual, click to enlarge.

Coda Blue web

Latest Nautical Painting

On some previous projects, I’ve sporadically posted images of various stages of the process. For my latest commission, a sailboat painting, I decided to take photos after most painting sessions. Enjoy these snapshots. (The lighting changes, in turn changing the photo colors, but I assure you, it is the same artwork.)

The boat is named Tommy Dundee and is painted in oils on canvas.

TD-01

Underpainting + sky base color

TD-02

Basic cloud shapes + water base colors

TD-03

More developed sky (clouds) and water

TD-05

Boat base colors (local/actual color) and shapes

 TD-06

Boat details (placement) indicated (rigging, equipment, etc.)

TD-07Boat details developed and refined

TD-08Water details (colors, reflections, etc.) developed

TD-09Final touch-ups and completion!