Given my penchant for puns, it should come as no surprise that today’s theme has been in mind from the beginning of the series. I hope you will find it enjoyable and that you will neither shoo nor shoe me for my insole-lence. This is also the last Art Walk. Perhaps years from now, there will be another run.
Seemingly perpetual note: You will need to click images to enlarge to view a lot of the art properly.
You might think this blog has gone to the dogs after reading some of these puns, but as promised last time, here are the doggies!
Cavalier (2018): A dashing King Charles spaniel. I think the ears of the tricolors and black-and-tans make them look like members of the French court, appropriate for a mutt-keteer.
Rescue Dog (2017)
Undercover Pup (2015): Not a skillful painting (just a “use up extra paint before it dries” venture), but given today’s theme, I’m not un-comforter-ble sharing it.
From under a downy cover to down under, here’s Digeridog (c. 2015).
I’m sure I could transition with a joke about salty dogs or sea dogs, but since this post already carries a boatload of wordplay, I will spar(e) the effort.
Wok the plank: I never finished this cartoon because I didn’t come up with a satisfying set-up and punchline. “See the / cedar plank? Wok it!” may have been the closest, but I wanted the parrot to squawk (sq-wok?): “Rrraaaaah! Wok the plank!”
R: I think U get the I-D-ea.
Apparently paired pears pear-iodically appeared: Apparantly (2009) and panels from the cabinet project (2018).
What’s in a name?
Converse-ation Piece (2006): Tongue-tied? Comment on somebody’s shoes.
The Big O (2008): Oh, no, another Ohno Satoshi joke? Oh, yes. They never get Ohld. The kanji for the “Oh” (大) in “Ohno” (大野) means “big.” The Big O is an anime from the late ‘90s and early 2000s. So there you gO.
We will also travel from the past back to the future present. This next bit, a gift for a friend, is quite involved, so allow me to elaborate (without, I hope, ruinous over-explanation).
Arasheep (2022): Count them for dream!
The chorus of Arashi’s debut song, A · RA · SHI, ends in “for dream” (and sometimes scrumptious five-part harmony). Here are clear scans of the originals. The laminated ones in the photos were resized to fit the sheep better.
Ohno (blue): 大 (Oh) yeah!
Sho (red) has a clock pin on his vest because it’s show time!
Aiba (green): The sound ai can be written with the kanji character for “love,” so there’s a heart (plus the katakana ba, バ.
Nino (yellow): The kanji ⼆ (ni, 2) repeats (sleeves, lapel, shoes). “We are the Knights Who Say Ni[no]!”
Jun (purple): “Diva.” ‘Nuff said. In this case, “no pun intended” means “intentionally no pun.”
Glass container: The Japanese word for “pun” or “bad joke” is dajare (sounds like “the jar A”). It was filled with more jokes.
Thus we come full circle. 楽しかったです。(Tanoshikattadesu. “It’s been fun.”) Thanks for walking with me. All’s well that ends well.
Just don’t count all the sheep to doze off. This is an Art Walk, not a sleepwalk, and a Walk to bring the series out of its long winter hibernation at that.
Are you ready for a subarasheep time? (Memory jog from pun section of Art Walk 1 — subarashii (“soo-bah-rah-shee”) means “wonderful” in Japanese.)
Though it is “shear” folly to prevent me from punning, I won’t blame you for saying “Baaa, humbug” to my baaad jokes.
I made a concerted effort to include art that had not been featured in the blog. To see previously posted pieces, visit the Animal Art gallery. I’ll have to update it to include newer pieces and likely some older ones that have not been uploaded yet.
For the birds
When I was in high school, I once went to an event when the Saint Louis Art Museum partnered with the Saint Louis for life drawing. A zookeeper brought a few relatively small animals to the museum (lawn — note “to” the museum, not “in” the museum) for participants to draw. There were birds of prey and an opossum. I also drew the zookeeper, but I have yet to relocate that sketch.
The above profile sketch became the reference for this painting in 2018.
The owl below is not from the life drawing session. It was the outcome of using up some acrylic paint before it dried.
I have a series of bird paintings on panels that has not been posted yet; they will receive their own post later in the year and be added to the animal gallery.
Here, kitty, kitty
Having had cats most of my life, it’s no surprise I drew them somewhat often (cats in general, not just mine). Here’s one from 6th grade. (No dogs today. They will appear in Art Walk 6.)
Does Cats (the musical) fan art count? No, but I’ll post some anyhow. The “bagpipe” made of candy canes and a football still makes me smile. It was an actual production prop, not just a figment of my imagination. What sweet music. (Readers probably know by now the pun is always intended.)
Here is a compilation of sketches of my cats.
There are no Pandagrams in this post, but perhaps you will enjoy some realistic panda sketches (I think from 2014). One sketchbook page later, Pandagrams were born. You can see the precursor to Butterfly at the bottom right.
As mentioned in previous posts, for birthdays, holidays, & such, I often drew cards or gifted my friends drawings of their favorite things. (Not just Japanese boy bands! XD)
One friend particularly loved wolves & dragons, so it was easy to decide what to draw for her. I suppose this could pass as a coyote, but the ears and snout seem rounded or wide enough to distinguish it as a wolf.
The butterfly is fantastical (not a real species). A tidbit appropriate to the reflective nature of the Art Walks is that this was the first serious watercolor painting I did (in high school), “serious” implying that I wasn’t just a kid splashing around with paint at home or primary school art class — or with children’s activity books with 3-5 circles of color on the front or the little dry cakes of paint. Until the day I started this, I had never seen watercolor paint squeezed out of a tube. Now tube watercolors are all I use.
“See ya later, alligator” seems appropriate to send you off today. Here is a crayon and pencil sketch of the required response’s reptile from my Peter Pan-themed door from a house (dormitory) decorating contest in winter 2011 (which I won).
This Art Walk now draws to a close. “Pun intended” is restated as preparation for part six.
A short note before the Art Walk: I updated the previous post about the cards and calendar. Both are now available for purchase through Principia (link in post). Supposedly the calendar has a collage that includes one of my turtle paintings.
Self-portraits. Every art student has to do them. Repeatedly. Though not my favorite recurring assignment (hence the title art), the topic seemed interesting. Fortunately there are enough acceptable portraits to show, meaning they are decent enough to escape being painted over, recycled, or banished to the Cave of Wonders.
Portraits will proceed chronologically.
Aw, kindergarten art. I’m watching Wishbone (a children’s TV show in which a Jack Russell terrier, Wishbone, imagines himself in classic literary stories). See Art Walk 3 for more elementary school art.
Let’s jump to some real, or rather, more realistic, portraits.
I actually love this self-portrait (high school) because it’s not really about me; it’s about my love of drawing characters and of story. (It appears in Art Walk 1 to show progress in drawing people realistically.)
For the Upper School Teton trip, I got out of regular school to do creative writing, make art, and study nature, but I didn’t get out of doing a self-portrait in the required trip journal.
If you’re thinking, “What?! Genevieve’s hair was never that short!” you’re right. It’s not my hair; it’s his.
In Figure Studies (college), students were to draw their faces in any existing portrait. Not even my mother recognized “me” thanks to the hairstyle & the massive (man) hand. Though nothing special in terms of my likeness, the conté drawing is included since the premise is different.
I was grateful to be exempt from Drawing I in college, especially the draw-your-face-on-a-big-grid assignment. Alas, grid portraits were not entirely escapable; Figure Painting a couple years later required one (below), but fortunately that project was rather interesting. It was my first time stretching and painting such a big canvas (4’ x 5’).
There is no pure black paint on the canvas; all the colors were made by mixing. A few spots have a little black mixed in, but they are indeed few. The white is blank canvas.
Now for some cartoon & chibi portraits. (Not assigned.) =)
I suppose I should explain the title art at the beginning. The left side is based on Edvard Munch’s The Scream. The right side is from a relay manga in which Genevieve struggled to come up with something to draw (in the comic, not in reality, since the premise was my idea).
Some ways to interpret the subtitle (to keep up my self-imposed title trend/challenge):
*Not properly (hence “broken” and “pun”). らしい can indicate information gained by hearsay, like “I heard it will snow,” and “Apparently Genevieve can’t write an Art Walk without referring to J-pop,” but it doesn’t actually work to pair it with quoted speech.
I drew my friends and me often.
This sketch almost made the cut for the “About the Artist” page in Cartage. It reminds me mildly of surrealist René Magritte’s The Son of Man, a self-portrait with the face covered.
Pirate G actually made the cut.
This is in my scrapbook of my trip to Japan and China. Friends and I visited Okunoshima, a.k.a. Bunny Island. Chibi Genevieve is plotting how to “rabbit” folks on May 1. (At work, some people play “rabbit”: whoever says “rabbit” to someone else on the first of the month has won. It is often competitive and sometimes inventive: pranks, rabbit statues, “Rabbit’s” Rules of Order.) May 1 held masterful victories.
That brings us to the end for today and for 2021. There won’t be a special Christmas post, but in lieu, here are musical offerings (listed in order of increasing tempo/energy).
From a 12/12 Christmas event for which I played carillon: Noel nouvelet (recorded on my phone in the playing cabin, hence background noises including clacking batons/keys).
A jazzy J-pop song to put the matsuri (“festival”) in “Christmas”: Arashi’s I Can’t Wait For Christmas. Among other places, I particularly like the lyrics at 1:50 and 2:15. Translations: “Let’s give thanks; let’s clap our hands” and “A big future is in your left hand.”
Merry Christmas and, for the leporine-inclined, hoppy new year.
For 2022, Principia invited alumni artists to submit pieces for consideration in its calendar. Apparently the calendar committee received enough submissions it liked that, after the submission deadline, it decided to also to create a set of note cards (which are given as gifts to those who join the alumni clubs and perhaps to donors). One of my paintings was selected for the card set; it’s one I’ve shared before: SV Tommy Dundee. The set is 12 cards, each featuring a different piece.
Interestingly, I hadn’t initially planned to submit the oil painting, but I had an inkling that maybe I should anyway.
Supposedly there is a collage on page 2 of the calendar, & one of my sea turtle paintings, Honu Resting, is included. (I do not have a calendar, so I cannot say where for sure.)
If you would like more than 1 of SV Tommy Dundee in your card collection, you can order a set of my existing cards (5 for $7, 10 for $10); just email me. The artwork on my card covers the entire front (no white field) and fits nicely in a little frame, too.
On another note, I have ideas for at least two more Art Walks. One of them will probably be ready before the end of the year. Stay tuned.
Last but not least, have a happy, blessed Thanksgiving!