Goats, Boats, and Other Notes

Goats:

Spent several hours this week sketching rough drafts for another illustration commission, Do You Have a Pebble in Your Pocket?, a book to teach small children counting through representation. The premise: A farm boy keeps a pebble for every goat he has in his pocket; then, when each goat returns to the barn, he places a pebble in a pouch. At the end of the day, he still has one pebble in his pocket and sets out to find the missing goat.

Here are clickable splendid scribbles of the present cover and title page designs:

GP-rd_cover  GP-rd_titlepg

Boats:

Started work on the next tugboat commission. The Alice Moran is taking shape on the sketchpad. After working out a few more details and drafting a background of New York Harbor, I’ll do at least one more clean draft, then transfer to sturdier paper and bring out the paints.

If you haven’t seen the final, framed M. Moran painting (or images of the earlier stages), you are welcome skim through prior posts in the Captain’s Log (click and scroll down).

Other Notes:

At this point, Terry Treble Music Adventures I & II are still just for sale through me or MusicLearningCommunity.com staff directly. (No online order form just yet.)

I plunged into yet another revision (the fifth major one) of my opera libretto, an adaptation of The Antiquary by Sir Walter Scott. Good things are happening: crisping up some dialogue, incorporating more rhymes and wordplay, and reworking some arias. It’s nearly finished!

Among other projects started and standing, fleshing out and finalizing, I began reviewing two stories I’ll intertwine for a film script. But mum’s the word for now and awhile since it’s just getting underway–that gives you incentive to come back!

A No-Nonsense April 1st

We’ve marched out of March and into April — it may be May before we know it.

Despite gaining a second job at school for the remainder of the term, I’ve continued (albeit sometimes disjointedly) to work on art projects. At this point, it’s almost exclusively the M. Moran tugboat painting, which is coming along.

Click the thumbnail to see a bigger version. Click here to see the post featuring photos of an earlier stage in the process (“Tugging Along”).

mmoranprocess3_3.31.14-sm

Also, I learned that it was in fact Korea, not Japan, to which the tugboat traveled from the Continental US, stopping only in Hawaii.

On a musical note, today in my carillon lesson, my teacher showed me the summer program for Centralia Carillon — and what should appear on the cover but my drawing? Or what looks like my drawing. I say that because the program designer colorized it to make it “pop.” The trees in the drawing were tinted bright green, which is perhaps a few touches too bright, but there’s a goldish sort of yellow that makes the radiating light around the top of the tower stand out nicely. (I don’t have a picture, but if you visit Centralia, IL, on certain Friday evenings this summer, maybe you’ll get to take your own copy home. No fooling!)